One frame at a time, by hand.
Harryhausen's skeleton fight, still astonishing
made the form commercially viable
Aardman's best feature
Burton's most beautiful design work
stop-motion perfection
the best-looking stop-motion film ever made
stop-motion, Anderson's best fit
Burton remaking his own live-action short, in black and white
Laika's warmest, and braver than its marketing
stop-motion, devastatingly adult
Laika's most ambitious
Anderson's most intricate
the best of three Pinocchios that year
should be twee, isn't
