The whole spectrum, from swooning to devastating.
the studio system's single best product
Hepburn's first lead, and an ending that refuses the fantasy
dismissed then, permanent now
the film that made Wong an international name
critically shrugged at, culturally permanent
talk as plot
ran in a Mumbai cinema for over 25 years
Eastwood and Streep; the grown-up weepie at its best
the sweeping-epic argument, in full
Wong Kar-wai in Buenos Aires
often called the best film of the century
maximalist charm, love it or don't
mood as story
critically mauled, culturally permanent
better than the first
mediocre reviews, and a permanent fixture of the culture
the one that shifted the mainstream
Wright's debut, all movement
a musical made for almost nothing
Allen's biggest late hit, and the premise everyone wishes they'd had
small, exact, enormous
the trilogy's hardest chapter
restrained, perfectly acted
Haynes, and the looks between them
the Yorkshire answer to *Brokeback*
the best romantic comedy in fifteen years
Jenkins after *Moonlight*
the last shot
tennis as a love triangle, scored like a rave
