Two people, one house, everything at stake.
two hours of a marriage tearing itself apart
Bergman, exhaustive and merciless
Rowlands, and Cassavetes' best
Best Picture, and custody rendered plainly
the film that made Sundance an industry
Emily Watson, devastating
the era's self-image, for better and worse
Kubrick's last, and least understood
the most-watched bad film ever made, and a genuine communal ritual
the suburbs as a trap, played straight
two timelines, one collapse
Haneke's most humane
Rattigan, and Weisz's best work
an avalanche and a marriage
a marriage undone by one letter
the argument scene
the best romantic film in years
Denis and Binoche, unglamorous
Blanchett, and a script that trusts you
Haynes at his most slippery
a triangle with no likeable corner
Wilde's second film, and a dissection of long-term couples
