Films built on a single formal dare.
four unbroken takes running simultaneously in quadrants
one 96-minute unbroken take
Van Sant's floating Columbine film
subjective camera, done right
one fast-food restaurant, one phone call
shot on 1980s video tubes
the one-take conceit, executed
shot with the same cast over twelve years
Godard breaking 3D on purpose
one man, one car, 85 minutes
a single 138-minute take across Berlin
told entirely in screens, and it works as a thriller
57 minutes, shot entirely over video call
a micro-budget debut with astonishing camerawork
